Continued
from Part Two
https://southernyankeewriter.blogspot.com/2022/01/maybe-thomas-wolfe-was-rightmaybe-you.html
“This is a man, who, if he can remember
ten golden moments of joy and happiness out of all his years, ten moments
unmarked by care, unseamed by aches or itches, has power to lift himself with
his expiring breath and say: "I have lived upon this earth and known
glory!”
―Thomas
Wolfe—
You
Can’t Go Home Again
The somewhat reluctant helping hand I got from my parents—reluctant on my father’s part, anyway—seemed to change my luck. A friend who was the CEO/publisher of an up-and-coming business magazine in Buenos Aires offered me a job reporting and translating for his organization. I had known this guy, Gabriel Griffa and his partner, Marcelo Longobardi—who was now on the verge of becoming a very well-known radio and television personality—since they had founded Apertura, their magazine, a decade earlier. Back then, they had both been college students, barely out of their teens, and had put their first few issues together on a table in a bar because they still didn’t have an office.
The result was lively, chock-full of
interesting stories and excellent writing, and it was a publication that sought
to take the best in avant garde style from premier US magazines like Rolling
Stone, Esquire, The Atlantic, Forbes and Fortune, but in Spanish. I was twelve years older than they were with
nearly a decade of experience under my belt and had helped them with contacts
and publishing tips when they were first starting out, as well as treating them
to lunch whenever I could at a couple of good restaurants where I had credit
from advertising swap-outs at the newspaper.
They hadn’t forgotten me now that they
were becoming two successful young entrepreneurs. I should have jumped at the
chance without hesitation, but, as I said earlier, I had just been gravely ill
and was still recovering. Since every place I’d worked in the media, I had
ended up in positions of responsibility and authority, I wanted to ensure for
the moment that this job wouldn’t be putting that kind of pressure on me.
At first, I accepted a lower-level
monthly salary simply to be the house translator. The magazine made use of a
lot of licensed articles from major international magazines. My job was to
translate these pieces from English to Spanish. I always dealt with
correspondence between Apertura and the English-language publications
they sought rights from. I worked closely with the general news editor and
liked that. Alicia Cerri and I had known each other for some time. She was,
like me, a veteran journalist with an old-school approach to the news. She
understood what had just happened to me, even though I didn’t discuss it openly
with her. She’d clearly been-there-done-that too, I figured, before she’d come
to Apertura.
We were already doing in-depth research on Trump back then at Apertura. |
I liked the job. I was in the editorial
department again, I was an older, respected newsman whose reputation most of
the staff knew, and I got to talk daily with journalists as their colleague
rather than as their boss. But in terms of what I did, it wasn’t any more
stressful than a nine to five office job.
As she saw me getting stronger and showing
more and more interest in the day-to-day of the magazine, Alicia started pitching
stories to the publishers that she thought were right up my alley as an
investigative reporter and commentator. I started with one that was sort of “science-fiction”,
for an entire issue that the magazine was doing on The Future.
They asked me to write on the future of
media. This was the latter part of the eighties. Internet Services Providers
wouldn’t even emerge in the US until 1989. But as I say, Apertura was an
avant garde magazine, so we were already doing a great deal of research
on the incredible advancements in resource and information-sharing. After many
hours of research, I came up with a sort of “artist’s conception” of what I
figured the future media would look like. I accurately foresaw the future
struggle to be faced by print media and the advent of worldwide electronic
communications.
It was hilarious because I was a
tech-dinosaur, a literary Neanderthal who was writing this piece on an old manual
Olympia typewriter. But at one point, it was like a revelation, a prescient
moment in which I wrote that, someday, not too far distant in the future, guys
like me, who made their living doing research, commentary and translating,
would be able to do it all online, with access to more and better information
than they could ever possibly use. They would, I said, be able to work from
anywhere, as long as they had a satellite signal. Even, I suggested, from a
cabin in the mountains in the middle of basically nowhere.
In my home studio in the post-Herald days. |
As I wrote it, I was just letting my
mind and imagination fly. I figured this would all happen when I was long dead
or too old to care. Nobody could have told me then that, half a decade later, in
1994, I would be doing just that from my mountain home in Patagonia.
Anyway, the publishers loved the story and
started asking me to do more stuff. I said, look, it was one thing to write a
lyrical essay like this one, but I was an English-language writer.
Spanish-language journalism was a whole other ball of wax. I didn’t have the
tools, the style, or the jargon for it. “Anything
I write,” I said, “is going to sound like an American magazine article in
Spanish, not like an original Spanish-language piece written by an experienced
Argentine writer.”
That, they said, was exactly what they
wanted—an article in eloquent Spanish that sounds like a Yankee magazine. “And
your writing in Spanish is better than that of half the local people we’ve got
writing for us.”
Suddenly, I was feeling good about
myself again. I wasn’t sure what had happened to me, how I’d fallen so low, but
I was back! And I was being recognized for the professional that I had become. By
a few months later, I had gone from being assigned brief single-source pieces
with minimal reporting to doing secondary research articles with considerable “leg-work”
and a number of interviews, and, finally, to being asked to do two major cover
stories.
But as I got deeper and deeper into the
profession again, I couldn’t help remembering how I’d gotten here. And after
the crisis I’d just been through, it was no longer just about “having a job.” I
was, at heart, an American writer. My language was English, no matter how
fluent I might be in Spanish. And I blamed the fact that I’d lived nearly
twenty years on a market where what I wrote in was a second language for my
lack of opportunities to reach success in my culture of origin. It might work
okay for journalism because here, I, like other foreign correspondents, was a
novelty. An English-speaker who was an expert on a Spanish-speaking region of
the world. That meant that what I brought to the table wasn’t just my craft as
a reporter and writer, but also a deep understanding of an entirely different
culture and of how it operated within the context of the world order.
I tended to forget this last all-important
aspect of my craft when I fixated on “going back home”. My idea was that,
surely, one or the other of the publications I had worked for abroad would be
interested in hiring me as a reporter when I returned to the States. Once I
landed a steady job in a major city, I figured, I would continue developing my
creative writing in my spare time and would finally be on a market where I
could pitch my creative fiction and non-fiction to US agents and publishers.
I had it all figured out.
My confidence improved and my health
restored, after about a year of working and saving, I decided that it was now
or never, if I was ever going to “go home again”. A major stumbling block was
the fact that, for Virginia, going to the US to live wasn’t a matter of “going
home”. It was all about leaving home. Leaving behind her country, her
city, her family, her life. Although she had enjoyed the fun of being an
exchange student in high school and college, she had quickly learned, when I’d
first been discharged from the Army and we returned to Ohio, that it was one
thing to be a cultural exchange guest in that society, and quite another to be
“just some foreigner” in a place, like many in America, that was not
particularly friendly toward “aliens”.
Virginia was already home. Why would she ever want to leave? |
During the first six months that we
struggled to make a living after I was discharged from the Army back in 1973,
she had suffered on-the-job isolation, discrimination and racism. It was her
first-ever experience with any of these things, and it broke her. She became
clinically depressed and eventually became nauseous and dizzy every time she
had to leave our rented apartment in Lima, where she also felt looked down on.
She had loved living in Europe, during my final posting in the Army, but now, in
the rural and industrial Midwest, she was impossibly homesick and inconsolably
sad. Never had the word “alien” been more fitting. She may as well have been a
Martian as an Argentine.
That was why I had originally made a
decision to go live in her country “for a year” and ended up staying for nearly
twenty. But now, I was passing her the bill for that. I was basically saying
that if I had forged a life as an expatriate in her country for all those years,
perhaps it was time she should try living in mine for a while.
It wasn’t the same. Not at all. Even back
then, in the nineties, the US had become a country that had forgotten that the
vast majority of its citizens descended—as Jorge Luis Borges once quipped—“from
boats” rather than from any native culture. And now the sons and daughters and
grandchildren of the immigrants who had populated the United States shunned as “aliens”
the new immigrants in their midst.
In Argentina, on the other hand, I had
seldom been treated with hostility for being American, except by people on the
extreme political fringes. On the contrary, being an American had, ninety
percent of the time, played in my distinct favor. Given how the US had always treated
Latin American citizens from the Mexican border to sub-Antarctic Ushuaia, I
might well have expected, as a Yankee, to be drawn and quartered and fed to the
rats as soon as I arrived. But I had nearly always been treated with friendly
respect by the vast majority of people.
Still, that was my line of reasoning,
and I was sticking to it. I came to your country with you, now you go to mine
with me. But if it came down to that, I couldn’t be at all sure how she would
react. Realistically, however, I figured the most likely scenario was her saying
that she was where she wanted to be. She was home. That I’d had plenty of time
to make it my home too. But if I wanted to be somewhere else, it was my
decision. I should go if I must. But I would have to go alone.
I was no good at discussing such
emotional issues. I did my best thinking on paper. If I had to debate a
difficult case like this aloud, the flood of emotions it was sure to bring up
would surely stand in the way of saying what I wanted to say and how I wanted
to say it.
So I wrote Virginia a letter. I tried my
best for it to be dispassionate, logical, clear-cut. The last thing I wanted it
to sound like was an ultimatum. But no matter how I sought to cut it, an ultimatum
was precisely what it sounded like. Like “either/or”—like “either-or else”.
No matter how eloquently, no matter how lovingly I tried to put it, the ultimate
message was the same: “I’ve come to a decision: I’m leaving. Come with me if
you want to or stay here if you don’t, but I need this to survive.”
Reluctantly, she acquiesced.
We arrived in Miami in mid-January of
1991. My father and mother were wintering at their condo in Ocala. Whitie had
made it clear that he wasn’t about to “try and drive in goddamn Miami,” so we
rented a car to make the five-hour trip from Miami International to Ocala.
We parked in a guest space in front of
their place in the condo complex. If was the first time we’d been there. Reba
Mae was evidently watching from the window because as soon as we got out of the
car and started getting our luggage out of the trunk, she appeared at the top
of the steps to their second-floor apartment.
“Did you have any trouble finding us?
Oh, it’s so great to see you both. Come in! Come in!”
When we got inside, Whitie was waiting
in the entryway. Virginia gave him a hug and then she and my mother went off
for a tour of the condo. I was still standing there with a suitcase on either
side of me saying hello to Whitie. We shook hands, gave each other a stiff,
perfunctory hug and then he laid his right hand on my left shoulder and looked
as though he were about to say something important to me. Perhaps that he was
glad to see me, that he’d missed me all those years, that he was happy I’d
finally decided to move “back home”.
Instead, he leaned in close and lowered
his voice so my mother and Virginia wouldn’t hear, and said, “Hey Dan, have you
got that five grand I loaned you, because I need it.” Right there in the
entryway, I dug out one of the envelopes of cash that I had distributed between
Virginia and me and which represented the scant capital that we had been able
to put together for a fresh start in the US by closing out our bank account and
selling whatever we could before leaving Argentina. I removed its contents and
counted out fifty crisp new hundred-dollar bills, placing them in my father’s
outstretched hand.
“Thanks Dan,” Whitie said. And then,
with, what seemed to me, hollow concern in his voice, he said, “You gonna be
okay with what you’ve got left?”
I said, “Guess I’m going to have to be,” and then carried our suitcases away in
search of the spare bedroom.
I had wanted to drop the rental car in
Ocala, but Ocala didn’t have a rental agency branch. The closest one was Daytona
Beach.
We
were all having a cup of coffee that Reba Mae had brewed and were sitting
around talking. I said, “Listen, before we get too settled in, I have to turn
in my car. Think you could drive over with me in your car and bring me back,
Dad?”
“Sure.”
“Good. We better get started. The drop
is in Daytona Beach.”
“Daytona! Geezus, Dan, why so
far? That must be a good hour and a half from here!”
Whitie and me in Ocala |
“Oh come on now, Dan,” Whitie said incredulously,
“You mean to tell me that there’s no place to drop it off here?”
“That’s exactly what I mean to
tell you. You think if there were, I’d want to drive all the way to Daytona
when I just drove five hours up here from Miami?”
“Well, that’s sure a helluva note,”
Whitie complained.
“Well, sorry,” I said, “but I can’t
drive two cars over there, so if you’d like to lend me a hand…” I trailed off.
“Let’s all go!” Reba Mae said
enthusiastically. “It’ll be a fun drive.”
In the first couple of weeks that we
were in Ocala, however, Whitie showed his enthusiasm and caring in other ways.
One of my first tasks was to find us a serviceable vehicle. When I asked Whitie
if I could borrow his car a few hours, he said, “Where ya goin’?”
“To look for a car to buy,” I said.
“Well, pardon me for saying so, Dan, but
you’ve never been much of a horse-trader. How ‘bout if I tag along.”
“Sure,” I said.
I really had no problem with that. My
father knew cars. And he was the kind of negotiator who beat sellers down until
they were practically ready to give the cars away just to be rid of Whitie.
Furthermore, he knew exactly where to go. So we all got into his big Mercury
Grand Marquis and made an outing of it.
We drove straight to an enormous used auto
mart on Southwest 17th Street in Ocala. On the way, Whitie asked me
how much I wanted to spend and what I was looking for. I said I preferred a van
to a sedan, but that I didn’t, obviously, have a lot to spend, so I wanted the
best vehicle I could get for the least amount of money possible.
The salesman’s name was Del Río. He was
a small, nervous man in his thirties. He was a fast talker and wore
sunglasses—even indoors. I said I was looking for a van, but that I wasn’t
going to use it to work, so economy was more important than a huge engine.
“Your best bet, then, is a mini-van,” he
said. “Roomy, comfortable and great mileage. What model are you looking for?”
“Not sure,” I said, “But with the money
I’ve got to spend…”
“We can set you up with financing,” Del
Río said.
“No, cash,” I said shaking my head. “I
figure maybe five or six years old, say.”
“Definitely a mini-van then,” he said.
“How mini’s mini?” I asked, by now more
familiar with European cars than I was with late-model American ones. He
signaled me to follow him. Whitie and I trooped over to have a look-see while
Virginia and my mother waited inside.
We made our way down a long corridor of
cars and trucks parked side by side according to type, make and model. The two
he showed me were across from each other—Chevy on one side, Chrysler on the
other. “This is an eighty-five Chevrolet Astro,” Del Río said, doing a Vanna
White with his left hand toward the Chevy line, and then repeated the gesture
with his right, saying, “And this is an eighty-six Dodge Caravan.”
Whitie and I looked at the interiors of
the two vehicles, walked around them both, checking out the paint and body,
kicking the tires and measuring the depth of their treads with our thumbnails
while Del Río stood by, in desultory fashion, smoking a Marlboro. We opened the
hoods, peered in at the engines and wiring. Whitie stuck a hand in and wiggled
this and that. Then we dropped the hoods and turned to the salesman.
“What are you asking for ‘em?” said
Whitie.
“Fifty-nine hundred for the Chevy and seven-nine
for the Chrysler.”
“Geezus!” Whitie said. “That’s goddamn
highway robbery!”
“Very serviceable vehicles,” Del Río
said. “The former owners are both old customers of ours. These are both
cream-puffs.”
“They better be cream-puffs with hot fudge,
nuts and cherries for those prices,” Whitie said. Then, “So can we take ‘em for
a spin?”
“Sure. Let me just go get the keys.”
When the salesman left, I said, “I
really like that Chrysler. But I can’t afford that kind of money right now.”
“Oh hell, Dan,” Whitie said. “Don’t
worry. You won’t pay anywhere near the asking price for either of them.”
“What makes you think so?”
“Trust me. It’s January! See how many
goddamn cars they’ve got on this lot? They’ve gotta clear out their inventory
before tax time. He’s on a fishing expedition with those prices.”
Del Río came back with the keys.
“We’ll be back shortly,” Whitie said.
“Great, I’ll wait for you inside.”
We took the Chevy out first. Whitie said
it had some road noise up front, which might mean the front end was about shot.
It also felt sort of doggy to drive. No pick-up, like maybe the engine wasn’t
in the greatest of shape. Then we drove the Chrysler, and I fell in love with
it.
“But it’s got a helluva lot of miles on
it,” I said.
“Yeah,” said Whitie, “but did you see
the engine? That’s no Chrysler motor. It’s a Mitsubishi. It’s only got a
hundred thousand on it and those Jap motors’ll do two hundred without ever
having to do any maintenance on ‘em, so I wouldn’t worry much about that if it
runs okay.”
“Runs like a rabbit.”
“There ya go, then.”
“Okay,” Whitie said as I drove up in front of
the show room, “Let me do the talking, okay?”
“Fine with me.”
“Didn’t I tell you that was a great
car?” Del Río beamed as we pulled up and he came out of the building.
I smiled.
Whitie said, “Not for that price, it’s not. That car has some issues. For one thing, geezus, it’s almost been all the way around the damn globe.”
“Oh, don’t worry about that, Mr.
Newland,” Del Río said. It has a Mitsubishi four-cylinder, powerful little
engine that gets good mileage and they’ll literally run forever.”
“Who the hell told you that fairytale?”
Whitie said with a grin. “We fought the Japs during World War Two and now we’re
buying engines from them for American cars? Not sure how I feel about that.”
“Great engines!”
“Yeah, say them.”
“Well,” said Del Río, “let’s go inside
and see if we can’t make a deal.”
Inside, Virginia joined Whitie in the
assault on our salesman. As he was telling us all of the wonderful features of
the vehicle and trying to convince us that we would “never find a more
impeccable previously owned automobile,” Virginia suddenly said, “Excuse me, but would
you mind taking off your dark glasses?”
The guy looked at her like, “Come
again?”
“I’d like to be able to see your eyes
while you’re telling us all this.”
Del Río flushed to the roots of his
short-cropped hair, but removed his glasses, and kept talking. The poor guy had
a cast in one eye that made him look like he was looking at you with one eye,
while mounting a lookout with the other to make sure nobody was sneaking up on
him from the side. Before long, Virginia repented, said, “Sorry, you can put your
glasses back on,” to which he said, “Thanks,” and did so.
“If you want us to buy it,” Whitie said,
“You’re gonna have to come way the hell down on the price.”
The Caravan - thanks to Whitie, ours for a song |
“Just a minute,” said the salesman, “let
me go talk to the manager.”
After he’d left, my father said, “Yeah
right. Talk to the manager. He’s gonna go talk to a Marlboro and be right
back.”
About a cigarette’s-worth later, Del Río
was back. “Well, I got you a great discount. We’re knocking off a thousand
bucks. Six-nine instead of seven-nine.”
Whitie looked disgusted and said, “Come
on, Dan. Let’s go down the road.” And we started toward the door.
“Wait, don’t go. We’re negotiating here.
How much would it take for you to drive this car off the lot today?”
“I don’t know,” Whitie said. “Make me a
serious offer and we’ll see.”
“Let me go talk to my manager.”
And on and on this song and dance went
for perhaps an hour until it finally came down to “Name your price.”
In the end, we all shook hands, the
administration made out the paperwork, I shelled out three thousand six hundred
dollars cash, and drove the mini-van off the lot.
As we were getting into our cars, Whitie
come over to me and murmured, “See there, your ol’ man got you most of that five
grand back.”
To
be continued…
3 comments:
Eagerly awaiting Part 4, Dan. I felt like I was in Ocala! I lived in Sarasota for some years and I’ve been up 301, through Ocala, and around, many times. I could see and hear that salesman as well as your dad and you. I love your mother asking the salesman to take his glasses off. Very descriptive and engaging! The pictures are vivid!
Many thanks Wayne! I just stood by and lett the ol' man do the talking, hahaha. It was feisty Virginia, my wife, by the way, who told Del Río to take off his shades. My mother was far too shy and retiring to ever do anything so bold. All the bartering made her really uncomfortable, as always.
Thanks so much Joe! Yeah, I think they broke the mold with Whitie.
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